小鎮(zhèn)標識導(dǎo)視系統(tǒng)與人口地理語言宗教消費行為 

小鎮(zhèn)標識導(dǎo)視系統(tǒng)與人口地理語言宗教消費行為等角度，誰都不僅要求美術(shù)館有承接，所以包容形象，而且要在作出大量調(diào)研的小鎮(zhèn)標識標識設(shè)計基礎(chǔ)上，積極促進美術(shù)館的多樣性，我們必須認識到，多樣性文化并不是靜止不變，它是動態(tài)的有機的不斷地建構(gòu)的相減值的，為啥美術(shù)館不斷地進行調(diào)研分析，再重新結(jié)構(gòu)文化定義的基礎(chǔ)上，對機構(gòu)進行調(diào)整，多使用機動性教材臨時項目的手段去實踐，去探索。在新的語境下，做公共空間的美術(shù)館有責(zé)任，有義務(wù)去滋養(yǎng)多樣性資源，在只是已經(jīng)調(diào)整的情況下。去積極轉(zhuǎn)變自己的公共形態(tài)，經(jīng)歷是有效的小鎮(zhèn)標識重要性，與文化互動的方式就是轉(zhuǎn)變文化認同行。

Guidance System and Religious Consumption Behavior of Population Geography Language

From the perspectives of the guidance system and population, geography, language, religious consumption behavior, etc., everyone not only requires art museums to accept, so tolerate the image, but also actively promote the diversity of art museums based on a lot of research and logo design. We must realize Diversity culture is not static, it is a dynamic, organic, and continuously constructed subtractive value. Why art museums continue to conduct research and analysis, and then restructure cultural definitions based on adjustments to institutions. Use the means of mobile textbook temporary projects to practice and explore. In the new context, art museums as public spaces have the responsibility and obligation to nourish diverse resources, even when they have only been adjusted. To actively change one's public form, experience is the importance of effectiveness, and the way to interact with culture is to change cultural identity behavior.